Caleb Morris

Caleb Morris

“I can put this mic on and know it’s doing 95 percent of the work for me. When it gets to the console, there’s very little corrective work that I have to do and I can focus on making things fit or adding color or flavor. The off-axis rejection is absolutely incredible; its a large-diaphragm condenser, and there are often times that I can get more gain out of that than I can out of a 58. It’s very quick and it picks up significantly more low-end, so for a female vocalist, it’s very easy to get a lot of body behind the voice and the ETLs do that perfectly. We also use ETLs for the electric guitar and once again, it’s got this cool color and a great vibe. It doesn’t matter what application we’re using them on; their mics sound absolutely incredible.”

–Caleb Morris
FOH Engineer for Andra Day

Ted Leonard

Ted Leonard

“We used Ear Trumpet Labs Edwinas and Louise throughout the Prescott Bluegrass Festival. Several days later I still have folks complementing me on how clean the sound was. As the main audio engineer on the event, I could not happier with the results of the Ear Trumpet Labs microphones we used though the weekend. They were simply fabulous. I even got them to work with stage monitors with no feedback!”
Ted Leonard, Prescott Pro Sound

Bryan Sutton

Bryan Sutton

"When we use a single mic and no monitors, we listen to each other’s note choices acoustically, and react based on the organic thing happening onstage. It’s also just more fun... It’s a production technique that gets overlooked—playing music for and with people instead of at people. The Edwina is a very useable tool for this approach."

— Bryan Sutton

Old Crow Medicine Show

Old Crow Medicine Show

"We've been going pretty heavy for this summer tour and have been loving having Evelyn out with us! We've been using it every show since you sent it. It sounds great. Super warm. The stereo image is super wide but can be narrow and focussed if you want. We're loving it. We've been using it for our breakdown set each night."
Taylor NyquistProduction Manager & FOH
Old Crow Medicine Show

Saintseneca

Saintseneca

“I love the warmth and clarity of these microphones. Their resistance to feedback is really remarkable. Whether we’re playing a noisy club, a basement, or outdoors on a large stage these mics have performed wonderfully. We’ve used the same mic technique with other condensers, but once we upgraded to Ear Trumpet Labs mics there was no comparison.”

Zac Little, Saintseneca

Jesse Tracey Paul

Jesse Tracey Paul

“We should have made the upgrade years ago. The sound is full and crisp. We no longer have the muffled sound of our dynamic mics. We eliminated four microphones, countless cables, 2 mic stands and two DI’s with just one Louis. The Improvement of harmonies and the enjoyment of singing around a single mic can not be put into words. A clean looking stage and an improved overall sound. As far as feedback goes it was not an issue. There’s actually less feedback than our previous set up due to the fact that we had four less microphones on stage. We are huge fans of Ear Trumpet Labs!”
Jesse Tracey Paul, on Facebook

Ron Stivers

Ron Stivers

“Even though I did extensive research before buying your microphone I still wasn't prepared for how incredible this Myrtle sounds! I just ran it straight into a zoom h4n and it's literally the sound I've been chasing for decades! Thank you folks for such an amazing product, you've changed my life!”
Ron Stivers, Poo-Bah Records

Coal Town Rounders

Coal Town Rounders

“We’re seriously loving that microphone! We used it for vocals in the studio when we recorded the album… and we use it at absolutely every live gig everywhere. I can’t say enough good things about it, really. The tone, sensitivity, and frequency response is great – even at a distance and/or off-axis. We’re a four piece, so we try to squeeze in on it as much as we can, but no mic we’ve used before has captured as close, as warm, and as accurate of a sound as this Louise. And, the feedback rejection is noticeably ridiculous for a condenser in a live setting.”

— Coal Town Rounders

Dave Kline

Dave Kline

“We tested at the soundcheck for the very first time and right out of the box it was dialed in almost perfectly… In short, this is the best mic that any of us, even the union sound tech there, ever used. Remarkably clean, no feedback problems, picks up clearly from even great distances yet doesn’t overload and distort when played to a bit closer. By the end of our set everyone was calling it Dave’s Magic Mic!”

Dave Kline, Reading, PA

Brock Tyler

Brock Tyler

“Just circling back to tell you how much I like your Edwina mic, which I've had for a couple months now. It's so refreshing to have a natural sounding mic that just plain works and lets me focus on the music, not the gear. You've really made something special and it's making my studio time easier and more fun. Thanks again!”
Brock Tyler, Calgary