Ben Wigler

Ben Wigler

“Really, stepping behind an Edwina is a whole other realm of vocal rig… it’s as night-and-day a difference as it can get from a 58, and we’ve been shocked at how perfectly it’s been holding up with a very loud stage volume and some manhandling. I’ve had the chance to use the Edwina in the studio and I’m just in love with this mic – it has such a pleasant sound and projects such a cool vibe, it makes getting killer takes a breeze.”

Ben Wigler, Brooklyn, NY

Don Gunn

Don Gunn

“I have a pair of ETL Edwinas and they are excellent sounding and extremely versatile mics. What I love best about them is that they don’t sound like any of the other mics I own – I don’t need more of the same, so to have them sound different and be so useable and flexible is fantastic.”

Don Gunn, recording engineer, Seattle, WA

Scott Nelson

Scott Nelson

“Edwina is all I could have ever hoped for in a live microphone. Our performances have been taken to a different level entirely… I used her for vocals, guitar, mandolin, banjo, dobro, fiddle, and percussion to run her through the paces. She performed unbelievably. I was able to attain a gain structure I had never been able to get out of any other large diaphragm condenser... I am a believer.”

Scott Nelson, Flatland Harmony Experiment

Lonely Heartstring Band

Lonely Heartstring Band

“Our Ear Trumpets are like the sixth member of the band. Without them, our sound isn’t complete. They capture the pure sound of our instruments and voices, delivering it with clarity and precision. Not only do they sound incredible, their old school aesthetic enhances our stage presence. We consistently have audience members comment on how great these microphones look and sound."

— Lonely Heartstring Band

The Barefoot Movement

The Barefoot Movement

“Louise has top notch sound quality along with an outstanding pickup, not to mention a sleek vintage appearance. The wide pickup pattern is essential to our style of performance, and is the perfect amplifier for our style and would be for any traditional band. We’re proud to stand behind it on stage.”

— The Barefoot Movement

Caleb Klauder

Caleb Klauder

“We used Edwina in many different rooms… from a 400 seat concert theatre and then to a coffee house with the mains set behind the stage. I was amazed by the fact that we got a lot of volume without any feedback and the mains were behind the mic… the mic was definitely projecting the band. I really thought it was easy to use.”

Caleb Klauder, Foghorn String Band

Kevin Robinson

Kevin Robinson

“Honestly – I haven’t found anything I don’t like the Edwinas on! They sound incredible! They sound awesome as drum overheads, piano, acoustics – whatever I’ve thrown at em, they’ve handled like champs. In short – the mics rule.”

Kevin Robinson of Viva Voce, Blue Giant, and Amore!phonics

Ryan Miller

Ryan Miller

“In my acoustic duo, Johnson & Miller, we always get kind words about the sound of Louise. We've been using Louise for nearly a couple of years now and we don't want to use anything else. As much as we like our ETL mic, we really love Ear Trumpet Labs, the company. They are easy to reach and you can speak to the owner, Phillip Graham himself or his daughter, Malachi, for any questions you have before or after the sale. I can't say enough good things about the company and their products.”
Ryan Miller, on Facebook