Ron Stivers
“Even though I did extensive research before buying your microphone I still wasn't prepared for how incredible this Myrtle sounds! I just ran it straight into a zoom h4n and it's literally the sound I've been chasing for decades! Thank you folks for such an amazing product, you've changed my life!”
—Ron Stivers, Poo-Bah Records
Coal Town Rounders
“We’re seriously loving that microphone! We used it for vocals in the studio when we recorded the album… and we use it at absolutely every live gig everywhere. I can’t say enough good things about it, really. The tone, sensitivity, and frequency response is great – even at a distance and/or off-axis. We’re a four piece, so we try to squeeze in on it as much as we can, but no mic we’ve used before has captured as close, as warm, and as accurate of a sound as this Louise. And, the feedback rejection is noticeably ridiculous for a condenser in a live setting.”
— Coal Town Rounders
Dave Kline
“We tested at the soundcheck for the very first time and right out of the box it was dialed in almost perfectly… In short, this is the best mic that any of us, even the union sound tech there, ever used. Remarkably clean, no feedback problems, picks up clearly from even great distances yet doesn’t overload and distort when played to a bit closer. By the end of our set everyone was calling it Dave’s Magic Mic!”
— Dave Kline, Reading, PA
Tucker Martine
Brock Tyler
“Just circling back to tell you how much I like your Edwina mic, which I've had for a couple months now. It's so refreshing to have a natural sounding mic that just plain works and lets me focus on the music, not the gear. You've really made something special and it's making my studio time easier and more fun. Thanks again!”
—Brock Tyler, Calgary
New Gold Standard
Sarah Elkins
Sound On Sound
Jefferson Fox
Amanda Palmer
Ben Wigler
“Really, stepping behind an Edwina is a whole other realm of vocal rig… it’s as night-and-day a difference as it can get from a 58, and we’ve been shocked at how perfectly it’s been holding up with a very loud stage volume and some manhandling. I’ve had the chance to use the Edwina in the studio and I’m just in love with this mic – it has such a pleasant sound and projects such a cool vibe, it makes getting killer takes a breeze.”
— Ben Wigler, Brooklyn, NY
Joe Henry
Don Gunn
“I have a pair of ETL Edwinas and they are excellent sounding and extremely versatile mics. What I love best about them is that they don’t sound like any of the other mics I own – I don’t need more of the same, so to have them sound different and be so useable and flexible is fantastic.”
— Don Gunn, recording engineer, Seattle, WA
Scott Nelson
“Edwina is all I could have ever hoped for in a live microphone. Our performances have been taken to a different level entirely… I used her for vocals, guitar, mandolin, banjo, dobro, fiddle, and percussion to run her through the paces. She performed unbelievably. I was able to attain a gain structure I had never been able to get out of any other large diaphragm condenser... I am a believer.”
— Scott Nelson, Flatland Harmony Experiment
Lonely Heartstring Band
“Our Ear Trumpets are like the sixth member of the band. Without them, our sound isn’t complete. They capture the pure sound of our instruments and voices, delivering it with clarity and precision. Not only do they sound incredible, their old school aesthetic enhances our stage presence. We consistently have audience members comment on how great these microphones look and sound."
— Lonely Heartstring Band
Della Mae
Adam Blomberg
Danny Barnes
The Barefoot Movement
“Louise has top notch sound quality along with an outstanding pickup, not to mention a sleek vintage appearance. The wide pickup pattern is essential to our style of performance, and is the perfect amplifier for our style and would be for any traditional band. We’re proud to stand behind it on stage.”
— The Barefoot Movement