“Nadine? Honey, is that you?? The mic I’ve been looking for??? Love this mic! I’m able to hear what I want to hear, getting warmth AND articulation while being stable at the same time. Works so good with in-ears and a small bit of blended pickup signal that I have all but done away with a bass amp on stage for the first time EVER! Thanks, y’all!”
– Barry Bales
(The Earls of Leicester, Alison Krauss and Union Station)
“Upright bass players, rejoice! The Nadine - newest addition of the Ear Trumpet Labs family - is here and is amazing! I've used it at outdoor festivals, concert halls, bar gigs, all kinds of venues and sounded great everywhere! Unlike pickups, the Nadine makes your upright bass sound like an upright bass- the way it's supposed to sound! With a sleek design and an easy installation setting right on the bass itself, the Nadine is the perfect microphone for upright bass players wanting to maintain the integrity of acoustic sound.”
– Nadine Landry
(Foghorn Stringband and Cajun Country Revival)
“You know you’re supporting this small, personal company of this group of folks that are hand-making these things. That’s kind of cool as well, rather than just not really knowing where your microphone comes from. It’s pretty cool to know that there’s a lot of love and care that goes in to building these things.”
–Sierra Hull
No Depression
“Wanted to reach out to share just how much we are loving these microphones. We recently brought them to a mid-sized outdoor venue, with some 500 people in attendance, multiple speakers down a long lawn etc. The production crew looked at me like we were crazy, until 3 minutes into sound check when everyone began tripping out on how wonderful they were performing on the large system. The sound guy was so stoked on them, and the whole crew was asking me about the microphones, where to purchase them etc.”
–Moonsville Collective
“The Myrtle has made the sound of our livestreams exponentially better. Clear, clean highs, deeply resonant lows. With the headphones on, it sounds like we are playing on a theatre stage with a great house engineer. The mic looks as beautiful as it sounds, and it is very easy to set up. We will definitely be bringing this mic on the road with us when touring returns.”
–Mary Gauthier
GRAMMY-nominated folk songwriter
“We used Ear Trumpet Labs Edwinas and Louise throughout the Prescott Bluegrass Festival. Several days later I still have folks complementing me on how clean the sound was. As the main audio engineer on the event, I could not happier with the results of the Ear Trumpet Labs microphones we used though the weekend. They were simply fabulous. I even got them to work with stage monitors with no feedback!”
—Ted Leonard, Prescott Pro Sound
“The mics sound incredible (obviously) but also because they are so perfectly balanced and sensitive in all the right ways, they’ve allowed us to do our livestreams with a guest musician or two (always outside) while staying properly socially distanced from each other. We truly feel like these mics have been our partners.”
–Sean Watkins
Watkins Family Hour, Nickel Creek
“I can put this mic on and know it’s doing 95 percent of the work for me. When it gets to the console, there’s very little corrective work that I have to do and I can focus on making things fit or adding color or flavor. The off-axis rejection is absolutely incredible; its a large-diaphragm condenser, and there are often times that I can get more gain out of that than I can out of a 58… It doesn’t matter what application we’re using them on; their mics sound absolutely incredible.”
–Caleb Morris
FOH Engineer for Andra Day
“Thanks ya’ll... been trying to get these tones since I was 15 years old… With dear Delphina, I can finally capture my sound, usually don’t even touch the EQ. Thank you for the inspiring microphone. I could be happy with this for the rest of my recording days. All my other mics have gathered dust. Ya’ll made my desert island microphone!”
—Hamid Shibata Bennett
"When we use a single mic and no monitors, we listen to each other’s note choices acoustically, and react based on the organic thing happening onstage. It’s also just more fun... It’s a production technique that gets overlooked—playing music for and with people instead of at people. The Edwina is a very useable tool for this approach."
— Bryan Sutton
503-974-4147
info@eartrumpetlabs.com
2117 NE Oregon St. #303
Portland, OR 97232
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